Tardigrade World
-Sustianable Art Innovation: Research Assembly



    
                 
TW 2024 ++
  1. Object Reborn 
  2. Trash Talk
  3. Thread Exchange (Collaborative Project)

TW 2023 ++
  1. Franklin Art Centre Show
  2. Waste Archive Issue Two

TW 2022 ++
  1. Waste Archive Issue One
  2. ACRCAR at Tamaki
  3. ACRCAR Show at Tamaki
  4. ACRCAR Show at Waiuku
  5. ACRCAR  Participated Artists
  6. ACRCAR Workshops

TW 2021 ++
  1. Mugly
  2. Hangarua Workshops 2021

TW 2020 ++
  1. RM Residency
  2. During COVID-19 Lockdowns
  3. Waste Tour 
  4. Plant Day
  5. Audio Foundation Show
  6. Tardigrade World Trashygrade World Show 2020
  7. The Projacket

TW 2019 ++
  1. The Starting Point of TW Te Tuhi Parnell Studio Opening
  2. Samoa House Library Workshop
  3. Studio One Workshop


Tardigrade World — Info

“Sustainable Art Innovations: Research Assembly“

Welcome to Tardigrade World!

Tardigrade World (TW) is where art meets sustainability. Established in 2019, we transform environmental challenges into creative opportunities, aligning with Auckland Council's zero waste by 2040 goal. Join us as we blend art, science, and community to craft a greener future.


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4. Loren Eiseley




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            From The Immense Journey, 1957A billion years have gone into the making of that eye; the water and the salt and the vapors of the sun have built it; things that squirmed in the tide silts have devised it. Light-year beyond light-year, deep beyond deep, the mind may rove by means of it, hanging above the bottomless and surveying impartially the state of matter in the white-dwarf suns.
        Yet whenever I see a frog’s eye low in the water warily ogling the shoreward landscape, I always think inconsequentially of those twiddling mechanical eyes that mankind manipulates nightly from a thousand observatories. Someday, with a telescopic lens an acre in extent, we are going to see something not to out liking, some looming shape outside there across the great pond of space.
        Whenever I catch a frog’s eye I am aware of this, but I do not find it depressing. I stand quite still and try hard not to move or lift a hand since it would only frighten him. And standing thus it finally comes to me that this is the most enormous extension of vision of which life is capable: the projection of itself into other lives. This is the lonely magnificent power of humanity. It is, far more than any spatial adventure, the supreme epitome of the reaching out. 



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