Tardigrade World
-Sustianable Art Innovation: Research Assembly



    
                 
TW 2025 ++
  1.  Trash Talk
  2. Research Articles 

TW 2024 ++
  1. Object Reborn 

TW 2023 ++
  1. Making Landfill-Franklin Art Centre
  2. Waste Archive Issue Two

TW 2022 ++
  1. Waste Archive Issue One
  2. ACRCAR at Tamaki
  3. ACRCAR Show at Tamaki
  4. ACRCAR Show at Waiuku
  5. ACRCAR  Participated Artists
  6. ACRCAR Workshops

TW 2021 ++
  1. Mugly
  2. Hangarua Workshops 2021

TW 2020 ++
  1. RM Residency
  2. During COVID-19 Lockdowns
  3. Waste Tour -Mairangi Art Centre
  4. Planting Day-Mairangi Art Centre
  5. Up-cycled Noise-Audio Foundation Show
  6. Tardigrade World Trashygrade World Show 2020
  7. The Projacket

TW 2019 ++
  1. The Starting Point of TW Te Tuhi Parnell Studio Opening
  2. Samoa House Library Workshop
  3. Studio One Workshop


Tardigrade World — Info

“Sustainable Art Innovations: Research Assembly“

Welcome to Tardigrade World!

Tardigrade World (TW) is where art meets sustainability. Established in 2019, we transform environmental challenges into creative opportunities, aligning with Auckland Council's zero waste by 2040 goal. Join us as we blend art, science, and community to craft a greener future.


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Research Articles based on TW event research
- How to Select the Right Location 
for Public Space Creative Activities


Selecting a location for creative activities in public spaces is more than a logistical decision—it shapes the entire collaboration and ultimately influences how audiences experience the work. Success depends on navigating power dynamics, aligning goals, and understanding the broader context. This article offers guidance on thoughtful venue selection, considering the complexities of working with multiple stakeholders. It also explores how the structured environment of traditional art settings can inform adaptations in new venues. 





1. Venue Selection: Strategy vs. Opportunity


Choosing a venue isn’t always straightforward. Traditional art spaces provide control, while unconventional venues offer fresh perspectives. To make informed decisions, stakeholders must ask themselves how well a venue aligns with the project’s purpose, whether it fosters meaningful engagement, and how it affects logistics.

1.1 Stakeholder Priorities

  • Artists: May prioritise creative vision (ambiance, thematic fit) over practical factors (accessibility, permitting).
  • Organisers: Must balance logistics, audience engagement, marketing, and the constraints of any given space.
  • Venue Hosts: Focus on operational needs, brand alignment, or revenue. Their interests might not always align with artistic goals.
Example: Community Centre Exhibition

A local artist wants to display a series of interactive sculptures. The organiser sees the community centre as ideal due to built-in foot traffic and inclusive facilities. The venue director, however, is concerned about installation methods, potential noise, and scheduling conflicts with existing programs. By acknowledging each party’s priorities—creative freedom, community outreach, and venue constraints—they negotiate a timeline and setup that meets everyone’s needs.

1.2 Challenges of Opportunistic Venue Selection


Opportunistic opportunities arise unexpectedly—maybe a storefront or park becomes available on short notice. This can unlock unique potential but also creates hurdles:
  • Venue hosts may prioritise publicity over artistic needs.
  • Organisers might feel pressure to accept a venue quickly, risking inadequate planning.
  • Artists and communities can be left with a space unsuited to the artistic vision or community engagement goals.

Practical Tip: Before jumping at a spontaneous offer, create a quick Opportunity Checklist:
  1. Does it match the project’s intended scale and format?
  2. Is it accessible to the audience you want to reach?
  3. Are there hidden logistical or financial costs?
  4. Can you meet the venue host’s requirements without compromising artistic integrity?





2. Traditional vs. Alternative Venues


While alternative spaces can expand the project’s reach and aesthetic possibilities, traditional art settings provide core features—like dedicated infrastructure and controlled environments—that deeply shape the experience of art. The challenge is to embrace new venues without losing these essential qualities.

2.1 Key Qualities of Traditional Art Settings

  • Controlled Environment: Galleries and theatres often have optimised lighting, acoustics, and spatial arrangements.
  • Curated Audience Experience: Visitors arrive with an expectation of art, primed for engagement.
  • Institutional Support: Resources such as installation staff, security, and marketing can enhance professionalism.

Drawback: Traditional spaces can feel exclusive or intimidating, and they may have limitations on large-scale participatory works or site-specific installations.

2.2 Alternative Venues: Pros and Cons

Venue TypeOpportunitiesChallenges
Public Parks & Open SpacesHigh visibility, diverse audienceUncontrolled lighting, weather issues, distractions, no security
Abandoned/Industrial SpacesRaw aesthetic, potential for large-scale piecesSafety concerns, permissions, lack of infrastructure
Community Centres & LibrariesBuilt-in audience, high accessibilityShared space, limited control
Commercial & Retail SpacesFinancial support, existing foot trafficCorporate interests, artistic restrictions
Heritage & Religious SitesRich historical/cultural contextEthical considerations, strict regulations, sensitive audience
Real-World Example: Abandoned Factory Installation

A performance artist once staged an immersive dance event in an abandoned factory slated for redevelopment. The raw aesthetic perfectly fit the performance’s theme of transformation. However, the organisers had to install temporary lighting, secure structural assessments, and obtain permits from local authorities. Collaboration with a property manager—interested in raising awareness of the location—proved essential in providing both safety features and a marketing push.

2.3 Balancing Tradition and Adaptation

  1. Preserve: Keep essential aspects such as clear sightlines and audience comfort. If you’re used to a gallery setting, consider investing in basic lighting solutions for alternative venues.
  2. Adapt: Adjust audience flow or infrastructure. For example, if a public park lacks seating, provide simple benches or mats.
  3. Redefine: Embrace site-specific qualities. Instead of fighting environmental factors (like a drafty abandoned warehouse), integrate them into the artistic concept.





3. Collaboration and Relationship Management


Selecting the venue sets the stage, but collaboration among artists, organisers, and venue hosts makes or breaks a project. Each party has unique goals, and clear communication is vital in harmonising these visions.
  1. Establish Roles and Responsibilities: Who handles logistics? Who manages permissions and contracts?
  2. Regular Check-Ins: Schedule ongoing meetings to address new challenges and align on project progress.
  3. Contractual Agreements: Formalise commitments on timelines, budgets, and deliverables to avoid misunderstandings.
  4. Conflict Resolution Protocol: Agree on a process (e.g., mediation or designated conflict manager) to handle disputes before they escalate.

Pro Tip: Assign a collaboration champion or project manager who oversees stakeholder communication. This individual should be neutral and focused on overall project success, helping navigate unforeseen hurdles like last-minute schedule changes or budget constraints.





4. Audience-Centric Considerations


Though stakeholder alignment is crucial, the ultimate success of a public creative activity also hinges on how the audience experiences and interacts with the space.
  1. Accessibility: Is the venue friendly to people of all abilities? Are there ramps, proper signage, or adequate transportation links?
  2. Cultural Relevance: Consider how the local community perceives the space. A retail mall might attract casual passersby, while a heritage site might draw a niche, culturally interested audience.
  3. Engagement Strategies: How can the venue support interactive elements (e.g., space for workshops or performances)?
  4. Atmosphere: Does the venue’s setting align with the artwork’s emotional or thematic tone?
Example: Public Park Mural Workshop

To engage young families, a city arts council hosted an open-air mural workshop in a well-known public park. By choosing a high-traffic area with playgrounds, they attracted curious visitors. However, they needed to supply weather-proof materials and coordinate with park officials for a cleanup plan. Ensuring restrooms and seating were available significantly improved the audience experience.





5. Practical Venue Selection Tips and Checklists

  1. Initial Site Visit Checklist
    • Accessibility (entrances, transport options, mobility-friendly amenities)
    • Infrastructure (electrical outlets, lighting, security capabilities)
    • Audience Flow (clear signage or existing wayfinding, crowd capacity)
    • Safety (structural integrity, exits, local regulations)
  2. Stakeholder Alignment Checklist
    • Confirm each stakeholder’s primary goals
    • Outline budget allocations and funding sources
    • Identify potential areas of conflict (permitting, scheduling, branding)
    • Develop a communications plan (tools, frequency, decision-making processes)
  3. Post-Event Debrief
    • Evaluate what worked and what didn’t in the chosen venue
    • Collect feedback from all stakeholders—including audience members
    • Document lessons learned for future collaborations





Final Thoughts


Selecting the right venue for public space creative activities is more than just “securing a space.” It’s a strategic balance of logistics, collaboration, and audience engagement—shaped by stakeholder priorities, community context, and long-term artistic possibilities. While traditional venues offer control and support, alternative spaces can bring fresh perspectives and wider reach, provided essential qualities aren’t lost.

Although this article focuses on choosing a venue, collaboration is equally important. In the next article, we’ll explore how artists, organisers, and venue hosts can navigate relationships, manage expectations, and build productive environments for public space creative projects.